Wolf Man writer-director Leigh Whannell discusses his spin on another Universal monster, the most challenging scenes, wolf vision, and more.

I didn’t have to read the Internet Movie Database page on Wolf Man to know co-writer-director Leigh Whannell really likes David Cronenberg’s The Fly.

Saw co-creator Leigh Whannell’s reboot of the 1941 horror classic stars emerging talent Chris Abbott and Emmy-winner Julia Garner as his wife.

Unfortunately for Universal/Blumhouse, it doesn't look like director Leigh Whannell is going to be able to repeat the success of his take on The Invisible

Wolf Man on Wolf Moon night? The ultimate scare! Let your imagination loose and embrace the thrill of the full moon.

Christopher Abbott ("Poor Things") and Julia Garner ("Ozark") play a couple who go back to the husband's family home in Oregon, only to find terror in the woods.

The themes within “Wolf Man” are far blunter than “Invisible Man,” but it will be interesting to see if Whannell continues to use Universal’s monsters to tell another story of feminine trauma and resilience to create a trilogy of terror.

Leigh Whannell's Wolf Man shares spiritual DNA with one of his most underrated projects, and it's the best part of his latest horror flick.

Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.

Leigh Whannell opens up about cutting a poignant Wolf Man scene, exploring how Blake's mother tied to the film’s themes of illness, grief, and loss.

The filmmaker reveals the movies he screened for the Universal Monsters rebooters, discusses the importance of practical effects, and whether Bigfoot could be a Wolfman.